Greatly from a rather salacious screenplay that hinted at lesbianism,Īdultery and various profligate debaucheries. Institution of Hollywood’s self-censoring code of ethics, had benefited DeMille’s bountifully appointed 1934 costumeĭrama starring Claudette Colbert. Hollywood’s fascination with the Queen of the Nile had significantlyĬooled since Cecil B. Regrettably reneged upon to his ever-lasting detriment and regret afterīeing paid an obscene amount of money to take over the project. Mankiewicz reportedly told Wanger, “I don’t even want to seeĬleopatra!” It was an apropos decision one that Mankiewicz Over the telephone while enjoying the hospitality of Hume Cronyn’sīahaman getaway. He reluctantly accepted producer Walter Wanger’s deal of the decade Mankiewicz was one of Hollywood’s premiere directors when The upwardly mobile in America in their contemporary class and Strength in movie-making was centered on telling juicy stories about Indeed, the project held little appeal for Mankiewicz whose particular Mankiewicz (right) once confessed thatġ963’s Cleopatra was the “toughest three pictures” he ever made.
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